Me, and sometimes myself (Jerry).

My Production manager (the "better half") is always floating about saying things like,
"turn that down, it's too loud" or "you can do that after you have washed up",
in a what is this sh*t, manner.

My Tracks are (due to my limited musical/production knowledge) ‘basic’,
relying on a good ‘groove’ to keep you locked in.
Hence Bassik Grooove (spelt wrongly to appear to down wiv tha homies).

I can hardly play un-live, so playing live would scare me to death.

Besides that, no one would turn up!

We take the 'inter-web' for granted. Where else would an artist like myself, ever get heard?

The Internet helps spread a wide range of music and helps people develope musical tastes etc.

The Industry needs to adapt to the new music distribution methods.

A lot of labels and artists are happy to make their work free of charge under the

I guess that is unlikely to happen to me, but I probably would, providing I still had some form of artist freedom & musical rights.

I think that's where the major labels need to change.

Born.

Grew up (do we ever?).

Discovered Black music.

Mobile DJ (Dave double decks).

Spent all my cash and credit card money on CD's.

So I Started making my own (music that is, not money!)

Have you got a few weeks.

Electronic music from 1970's to present day.

Anything with a good groove.

Electronics and Jazz.

Jazz Funk, Funk, Electro, Nu Jazz, Acid Jazz, House (old school/acid/jazz/deep/tech/disco/ambient), Broken Beat, Techno, Ambient, Dub Reggae, Disco, Soul, funk.

Larry Heard, Atjazz, Dave Lee(& alter egos), House of 909, John Beltran, Jimpster, Gerd, Kirk Degeorgio, Russ Gabriel, Neon Phusion, Nubian Mindz, Mark De Clive Lowe, Square One, The Bays, The Necks, Aerto, Herbie Hancock, Lonnie Liston Smith, Dexter Wansel, Willie Bobo, Patrice Rushen, Tania Maria, Azymuth, Donald Byrd, Ingram, Slave, Kleeer, Jah Shaka, Mad Proffessor, King Tubby, Scientist, Third World, Steel Pulse, King Sunny Aide, Juan Atkins, Kevin Saunderson, Richie Hawten, Jacen Solo, Spacetime Continuum, Photek, Bugge Wesseltoft, est, Timewriter, Terry Lee Brown, Aqua Bassino, Pete Namlook, David Moufang, Swayzak, Tom Middleton, Izmo, Level 42(early stuff), Hi Tension, Atmosfear, Loose Ends, Freeze, EWF, Light Of The World, Incognito, Depeche Mode, Human League, Heaven 17, Fashion, Kraftwerk, Yazoo, Soft Cell, OMD, Gary Numan, New order, A Certain Ratio, Coldcut, Brian Eno, The Orb, FSOL, Nitin Sawhney, The Irresisitable Force, Beaumont Hannant, Baby Ford, Black Dog, Speedy J, Aphex Twin, Jazzanova.

Compost Records, Warp, freerange, Tresor, Archive, jumpin and pumpin, f comm, mantis, soma, peacefrog, Jazzland, fax, cti, plastic city, glasgow underground, paper, Ze, ninja tune, DJ International, Trax, Tommy Boy, prelude, tk, salsoul, thinner, textone, tokyo dawn, pagan, soul jazz, blue note, fantasy.

Mr Toast records & Tartan House dj back in the day.

Boogie down with Dave Brown for those Disco and Jazzfunk moments.

Craig Royals CR's import records (Ipswich Market), Radio Luxembourg.

Blues and Soul Mag, Disco International magazine.

I'm a country boy.

But I do like to go to the smoke (London) from time to time, to soak up the multicultural vibe.

Then it's good to hop on a train and get the hell out of there (in a nice way).

Electricity.

A chair.

Strong Black Coffee.

A 'poota with various software apps.

Midi Keyboard.

Would love to be good at what I do.

I Like it when someone say's they like it.

It beats any financial recognition.